Today life threw up one of those freaky coincidences.
Let me explain.
After a few months of planning, today I revealed plans for a new YouTube channel.
The channel will be about computers and computer science.
In some ways it will be a spin-off from my mathematics channel, Numberphile.
For that reason I wanted to call it COMPUTERPHILE.
Unfortunately the YouTube username computerphile was already taken by someone in Norway.
I contacted the owner and explained my situation.
Luckily the owner - a chap named Jan Kristian Fagerstad - knew of me because he watches Sixty Symbols.
(This is not the coincidence)
Jan agreed to let me take over his channel because he did not have any followers and used the account simply for viewing.
So after a few technical machinations, today (April 10) I finally took control of the computerphile channel.
I was able to delete most of Jan's history and data - allowing me to start with an almost blank slate.
I then advertsied the channel for the first time (in this video), in the hope of building some subscribers before uploading new videos from May onwards.
Amazingly the channel went from zero to 10,000 subscribers in just a few hours. People seem enthused.
But here is the coincidence.
The only thing I could not delete from Jan's original details on the profile was his joining date - April 10, 2009.
And the date I "launched" the channel, revealing it to the world - April 10, 2013.
Exactly four years later.
This was not planned and I did not even notice until a Twitter follower pointed it out!
I just "went public" the day it was handed over to me.
I dunno, maybe this is silly... But I was amazed.
Wednesday, 10 April 2013
Friday, 5 April 2013
Tales from the grave
I just belatedly saw this message from a Deep Sky Videos viewer. It was a reaction to my video about visiting Charles Messiers' grave.
It makes me think - should we get a campaign going to have Messier's grave on the tourist maps and signs at Père Lachaise Cemetery - it seems wrong that he's overlooked!
It makes me think - should we get a campaign going to have Messier's grave on the tourist maps and signs at Père Lachaise Cemetery - it seems wrong that he's overlooked!
Brady,Newly uploaded photos from Brady's trip to the grave here.
First, please allow me to thank you for all the effort you put into creating the videos for you channels.
I am subscribed to most of them and always look forward to a new episode.
As an amateur astronomer, I absolutely enjoy the watching your DeepSkyVideos channel.
During my visit to Paris last week, inspired by your video, I visited the grave of Charles Messier. Thanks to your video and directions in the video's description, I had no trouble locating the grave.
I even got the chance to tell a group of visitors of Chopin's grave about Charles' life and his famous catalog.
The guide didn't know about this particular grave and considers pointing it out during his regular tour.
Thanks again, and keep up the good work!
Cheers, Dirk
Labels:
charles messier,
Messier
Thursday, 4 April 2013
Fibonacci Tartan
My quest for a Fibonacci Tartan started in mid-2012 when I met with friend Annas Alamudi.
I told him about Numberphile - and my new obsession with numbers.
Annas confided his recent plan to create a tartan based on the Fibonacci sequence.
He'd wanted a Fibonacci-inspired kilt for his (Scottish) wedding and created a design.
But alas the cost of making a kilt had thwarted his plan.
With Annas' blessing, I vowed to make such a tartan become reality.
Things started well and a firm in Scotland agreed to weave the tartan.
The original plan was that I'd travel north to film its creation.
Communication slowed over Christmas but a tentative filming date was discussed for March 2013, subject to confirmation.
Then things changed.
The company informed me they'd independently decided to make their own tartan based on the Fibonacci sequence.
Fair enough - no-one "owns" the Fibonacci numbers.
But unfortunately I was also told they no longer wished to make my tartan (at least until they made their own independently thought-up version).
I think they were concerned it would affect their commercial plans.
(I was going to pay for the work - and I'd have thought being showcased to my 400,000-strong subscriber base of number enthusiasts might have been beneficial, but who knows?)
Thankfully a second company - House of Tartan - came to the rescue.
They were brilliant and assigned an excellent designer to help finalise my plans.
And so the "Numberphile Tartan based on Fibonacci" was created and produced.
The stitches are based on the start of that famous and infinite sequence (1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89).
The colours are based on the Italian flag - a nod to Fibonacci (pictured).
Its details are 1 green, 1 white, 2 green, 3 white, 5 green, 8 olive brown, 13 sienna red, 21 dark green, 34 light green, 55 dark green, 89 black.
232 threads in total for the repeat = 6 inches at approx 40 epi (threads/ends per inch)
There was no time (or resources) to fully "weave" the tartan, but it was printed on fabric and looks amazing.
The guys also sent me ribbon adorned with the pattern which looks fantastic.
And in a nice twist, the ribbon's white band is deliberately placed at a golden ratio distance from the fabric edges.
I've not decided what to do next with the fabulous fabric and ribbon samples - but watch this space!
I told him about Numberphile - and my new obsession with numbers.
Annas confided his recent plan to create a tartan based on the Fibonacci sequence.
He'd wanted a Fibonacci-inspired kilt for his (Scottish) wedding and created a design.
But alas the cost of making a kilt had thwarted his plan.
With Annas' blessing, I vowed to make such a tartan become reality.
Things started well and a firm in Scotland agreed to weave the tartan.
The original plan was that I'd travel north to film its creation.
Communication slowed over Christmas but a tentative filming date was discussed for March 2013, subject to confirmation.
Then things changed.
The company informed me they'd independently decided to make their own tartan based on the Fibonacci sequence.
Fair enough - no-one "owns" the Fibonacci numbers.
But unfortunately I was also told they no longer wished to make my tartan (at least until they made their own independently thought-up version).
I think they were concerned it would affect their commercial plans.
(I was going to pay for the work - and I'd have thought being showcased to my 400,000-strong subscriber base of number enthusiasts might have been beneficial, but who knows?)
Thankfully a second company - House of Tartan - came to the rescue.
They were brilliant and assigned an excellent designer to help finalise my plans.
And so the "Numberphile Tartan based on Fibonacci" was created and produced.
The stitches are based on the start of that famous and infinite sequence (1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89).

Its details are 1 green, 1 white, 2 green, 3 white, 5 green, 8 olive brown, 13 sienna red, 21 dark green, 34 light green, 55 dark green, 89 black.
232 threads in total for the repeat = 6 inches at approx 40 epi (threads/ends per inch)
There was no time (or resources) to fully "weave" the tartan, but it was printed on fabric and looks amazing.
The guys also sent me ribbon adorned with the pattern which looks fantastic.
And in a nice twist, the ribbon's white band is deliberately placed at a golden ratio distance from the fabric edges.
I've not decided what to do next with the fabulous fabric and ribbon samples - but watch this space!

Labels:
fibonacci tartan
Wednesday, 27 March 2013
Thoughts on science videos
I was recently a guest on a panel discussing "Making Science Public".
Among my numerous rambles, I explained why science communication could learn something from football.. maybe?
Here is what I said:
Extended footage from the panel here.
Among my numerous rambles, I explained why science communication could learn something from football.. maybe?
Here is what I said:
Extended footage from the panel here.
Tuesday, 19 March 2013
Nombre Amour
The latest Numberphile additions deal with numbers in French.
They feature Dr Paul Smith, from the University of Nottingham, who may be familiar to viewers of my Words of the World series.
Here are the films (included an unlisted "extra bits" video):
They feature Dr Paul Smith, from the University of Nottingham, who may be familiar to viewers of my Words of the World series.
Here are the films (included an unlisted "extra bits" video):
Friday, 15 March 2013
Two new professors
Some great news.
Two veteran contributors to The Periodic Table of Videos - Peter Licence and Stephen Liddle - have both been promoted to the position of PROFESSOR at the University of Nottingham, where they work in the School of Chemistry.
Here are a couple of archive videos with each of them discussing their research.
Two veteran contributors to The Periodic Table of Videos - Peter Licence and Stephen Liddle - have both been promoted to the position of PROFESSOR at the University of Nottingham, where they work in the School of Chemistry.
Here are a couple of archive videos with each of them discussing their research.
Labels:
pete,
pete licence,
stephen liddle,
steve
Wednesday, 13 March 2013
The recipe for Alan's Pi Soundtrack
Musician (and school teacher) Alan Stewart created the score for our video about "Pi with Pies".
Here he explains the music's hidden depths:
When Brady invited me to prepare a soundtrack for this year’s Pi Day special I was very keen to throw as many mathematical ingredients into the musical mix as I could.
Thoughts of irrational time signatures, Pythagorean scales and the Circle of Fifths all sprang to mind.
But, just as too many flavours can spoil a dish, too many musical ideas can render a piece unlistenable!
The final composition includes only 4 musical references to Pi.
In order of how convincing you might find them, finishing with the most tenuous, they are:
1. The Melody
Picked out on pizzicato strings, the tune follows Phil Moriarty’s method of mapping the digits of Pi onto a musical scale. In this case we have the first nine, 3.14159265, translated onto the notes of the C minor scale.
2. The Rhythm
Like Dave Brown and Phil Moriarty’s Phi Song, the rhythm drummed out by the timpani towards the end of the piece turns the digits of Pi directly into quavers.
3. The Tempo
This may be the only original mathematical idea I brought to the piece. Unfortunately, it’s also the only idea that no-one would notice unless it was pointed out and explained!
I’d be most impressed if someone was able to say “Ah, the tempo of this music is 104.72 beats per minute. That’s approximately one third of Pi, times 100!”
I did play around with 314.16bpm but found performing at this speed somewhat challenging.
4. The Style
The music has a military feel to it, so might be described as a march. And Pi Day is in March... and yes, that is indeed the sound of me scraping the very bottom of this barrel.
Visit Alan's YouTube channel - AlanKey86
Here he explains the music's hidden depths:
When Brady invited me to prepare a soundtrack for this year’s Pi Day special I was very keen to throw as many mathematical ingredients into the musical mix as I could.
Thoughts of irrational time signatures, Pythagorean scales and the Circle of Fifths all sprang to mind.
But, just as too many flavours can spoil a dish, too many musical ideas can render a piece unlistenable!
The final composition includes only 4 musical references to Pi.
In order of how convincing you might find them, finishing with the most tenuous, they are:
1. The Melody
Picked out on pizzicato strings, the tune follows Phil Moriarty’s method of mapping the digits of Pi onto a musical scale. In this case we have the first nine, 3.14159265, translated onto the notes of the C minor scale.
2. The Rhythm
Like Dave Brown and Phil Moriarty’s Phi Song, the rhythm drummed out by the timpani towards the end of the piece turns the digits of Pi directly into quavers.
3. The Tempo
![]() |
Alan Stewart |
I’d be most impressed if someone was able to say “Ah, the tempo of this music is 104.72 beats per minute. That’s approximately one third of Pi, times 100!”
I did play around with 314.16bpm but found performing at this speed somewhat challenging.
4. The Style
The music has a military feel to it, so might be described as a march. And Pi Day is in March... and yes, that is indeed the sound of me scraping the very bottom of this barrel.
Visit Alan's YouTube channel - AlanKey86
Labels:
pi music
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